I was working on shooting colors and textures ambiguated—planes flattened like paintings with the use of long focal lengths on an old Minolta-mount 75-300 from Sigma. All from the back seat of Gretchen's car.
I was working on shooting colors and textures ambiguated—planes flattened like paintings with the use of long focal lengths on an old Minolta-mount 75-300 from Sigma. All from the back seat of Gretchen's car.